The Claudette Hopkins solo show at The Carver Community Cultural Center is a hidden gem within San Antonio’s art community. Originally...

When most people imagine the Texas landscape, they see desert plains and cactus fields. But the Texas I know — and the one reflected in...

The lively atmosphere of the UTSA ARTS Cube contradicted the seriousness of the artwork’s subject matter at the opening Thursday evening....

When I envision and recall experiences participating in a mosh pit, it is the exact opposite of a white-walled gallery exhibition. The...

This spring, Artpace invites you to immerse yourself in a vibrant world where rich cultural narratives and flourishing landscapes come to...

The Inbetweenness at UTSA’s Russell Hill Rogers Galleries immerses viewers in the complexities of transition - whether personal, spatial,...

As I observed the kinetic installations of Moonment: Finding A Way , a wave of nostalgia washed over me. Rolls of aluminum, suspended...

Review of Synthesis & Subversion Redux at Ruby City's Studio gallery.

Dancing offers freedom that isn't found in the rituals of the day to day. Modern lives centered around electronic devices are stagnant —...

Mary Virginia Carson, “Pecos Canyon,” watercolor and pencil on Italian paper, Witte Museum Collection   [1996-40 X (17) 102)], Courtesy...

When I think of South Texas, one of the first things that comes to mind is its expansive skies. On my drives to and from the Rio Grande...

A library is a wealth of knowledge, where ideas are cultivated and harvested. Languages and words connect the past, present, and future...

In 1989, Chicano scholar Tomás Ybarra-Frausto published his essay, Rasquachismo: A Chicano Sensibility . Whether he could have predicted...

Warning: This article includes images of nudity.  There is a vulnerability in the self-portraits of Josie Del Castillo’s Matrescence...

When a student in my art history classes provides an interpretation of an artwork we are discussing, my response is always to ask, “Why?”...

Nour Kuri, based in vibrant Mexico City, draws deeply from her cultural surroundings, weaving rich imagery and narratives into her...

WARNING:  This article includes images of nudity.  Outside the gallery space I am more than excited to discuss my foodie habits, but not...

Whitfield Lovell (American, b. Bronx, NY), “Visitation: The Richmond Project,” 2001, Dining table, organ, various objects, wooden walls,...

Walking into the Studio at Ruby City to see Celia Álvarez Muñoz’s Los Brillantes (“The Brilliant Ones”) felt like stepping onto a...

The mythology of the American Western landscape is deeply troubled with its continued romanticization. Consider the popularity of Taylor...